My 7 Posts

There’s a meme doing the rounds at the moment, thanks to Tripbase – you may well have seen versions of it on other blogs. In a nutshell, bloggers are nominated to talk about 7 of their posts, and then to nominate 5 other bloggers to do the same. I’ve thoroughly enjoyed reading other people’s archive posts, so when the lovely Koan Girl at A Totally Impractical Guide to Shanghai nominated me to take part, I started rifling through my archives, and here follow the results. I hope you enjoy them.

1. My most beautiful post

A lot of other people have answered this question with posts containing amazing photography and images. Me, I’m no great shakes as a photographer. I enjoy it, but words are more my thing. Beauty is therefore not so much in the eye as the *mind* of the beholder here. A picture paints a thousand words, they say. Well, that probably explains why I write long posts. I’ve chosen this one for the images that it conjures of a moment of peace and happiness. Much though humans might try to wreck the landscape around them, nature always seems to win out in the end.
Country Roads, Take Me Home

2. My most popular post

There are two contenders for this title. First, the post that has garnered the most hits. It’s an observational post about a day on the beach and was featured in Michelle at Bleeding Espresso’s Gita Italiana last year, at which point my viewing stats went crazy. Thanks, Michelle!
When I Was Two, I Was Nearly New

 

The second post is the one that has gained the most comments. This, again, is thanks to a little help from other people; this time, Lara and Terence at Gran Tourismo. Last year they were running monthly competitions, themed differently for each month, and I entered this post into one of them, to explain just some of the many reasons why I’ve fallen in love with train travel here in Italy.
Daydream in Blue

3. My most controversial post

I’m not usually one for stirring up controversy. This blog is far more observational than confrontational, so this was a difficult category to fill. However, I finally went for one in which I have a bit of a bitch about how rubbish the food is in Paris. I then go and ruin my stance by waxing lyrical about a fabulous bistro that I found there. Ha.
Bon Appétit

4. My most helpful post

Again, this was a difficult category to fill. This is a personal blog, and I don’t generally write in order to be helpful. However, I did remember this one about speed dating, which does offer advice of a sort. Not the kind of advice that you should take all that seriously, granted, but I DO THESE THINGS SO YOU DON’T HAVE TO, OKAY?!

5. A post whose success surprised me

This post was written at a time when I was feeling quite bitter about life and love here in Calabria and was rather different from my usual way of writing. The vignette style and the content seemed to hit a nerve with a few people, however, and I got lots of comments both on the blog and on my Facebook page.
Love in the South of Calabria

6. A post that didn’t get the attention it deserved

This is a double whammy. I visited Florence over Easter in 2010 and wrote a pair of posts about the experience which didn’t seem to get much interest, which disappointed me, given how much there is crammed into them. I talk about architecture and monuments and train travel and food and and and – oh, just read them, OK? G’wan – you know you want to …
Night Train to Florence
Cake and Steak

7. The post that I am most proud of

This is a very recent one, and was one that I wrote consciously trying to take myself out of the equation. Observation is what I love to do, but far too often when I then write about it I find that it’s become all about ME ME ME. This post, on the other hand, is all about others and I love it for that.
Pet Sounds

So now to the nominations. I’m pretty sure none of you have done this already, but if you have then I apologise – it’s getting hard to keep track of who has and who hasn’t.
Torre at The Fearful Adventurer
Jaxies at I Am a Feeder
Roxanne at Stories of Conflict and Love
Carrie at Some Birds are Like That
Angela at Chasing the Unexpected

Photo credits:

Kate Bailward
Athena_Vina on Flickr
Tiemen Rapati on Flickr
Malingering on Flickr

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Bugging out

Where did it go?! Emma is on her feet, clutching her bottle of Nastro and looking up at the air conditioning unit. Carly looks about. I think it went – AARRRRGGGGHHH! It seems that she has just discovered where the cockroach disappeared to: under the table.  And then out again over her sandalled foot.

Ohmygodthere’sanotherone! Everyone scrambles out of their chairs and into the road where they can easily see any large, scuttling bugs approaching. Giuseppe comes over. What’s going on? Carly replies with one word: scarafaggi. That’s it: the bar staff are all up on their feet, brandishing brooms and hustling us out of the way.

There’s one! Get it! Giuseppe is straight in for the kill, stamping on the bug before it can escape down the heating grille. A grin splits his face in two. Man kill bug! Rrraaaahh! I’m surprised by how easily he squashed it. I thought cockroaches were supposed to be able to survive the apocalypse, and yet one stamp from an Italian cafe owner’s loafer and the bug’s toast. Interesting. Emma pipes up. But – if you kill one, don’t more appear to get their revenge, or something …? Giuseppe doesn’t understand the English words, but he gets her meaning. The grin fades a little. It’s OK, girls, we’ve got it all under control. You just – er – sit over there for a little while …

Later that night. Another bar. Sitting outside, enjoying the last of our drinks. As so often happens, we’re the last ones standing. Or lounging on bar chairs, as the case may be. A man approaches and starts talking to us. He seems to want us to move. He tells us they want to clean the square. We tell him we’re going in five minutes. He looks anxious. But we’re about to clean this area. Do you understand? We nod and smile. I’m not sure why he’s getting so agitated. Usually we just clear away the tables as we leave. He repeats again with more urgency. This time, however, he adds the magic word: scarafaggi. As if of one accord, everyone’s brows clear and we leap to our feet. They’re not just cleaning: they’re SPRAYING POISON. We race inside the bar as the truck starts up and watch through the plate glass window as the square is coated in a fine, white mist. The apocalypse has arrived so far as the cockroaches are concerned. We, however, thanks to the man in the square, live to drink another day.

Image by Xtream_i on Flickr

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Tosca

Summer *may* (whisper it very softly) be finally here. Just in time for exam season, when afternoons are spent locked in stuffy rooms, watching students sweating both literally and metaphorically. One week of teaching left to do, and then it’s goodbye Calabria. Except that it isn’t. Over the last few months my departure date has been being put back further and further, until now it’s looking like it’s going to be the end of July. And that’s only because my mother has a big birthday on 2 August this year. Were it not for that fact, I don’t think I’d be going back at all.

The other weekend I had a conversation with some of the boys from choir about England. They asked if I missed my family. I said no. (Sorry, Mum and Dad!) If I’m honest, I probably speak to my family more now than I did when I lived in London, as we make more of an effort to keep in contact. I do, however, miss my cats. They don’t really *get* Skype, much though I’ve tried to persuade them that it’s the future.

****************************

I’ve just finished teaching my last student of the day. I’m in the staff room catching up on some marking. I’m aware of the door buzzer going, but ignore it. Sam comes out of her classroom to answer it, then returns to me a minute later with a puzzled look on her face. ‘Kate, there’s somebody at the door. They say they have something for you – they’re on their way up.’ Mystified, I head for the door, and am met by the choir boys, who are grinning fit to burst. Domenico is hidden behind Gianluca and Emmanuel at first, but then he pushes forward and thrusts a small, fluffy, grey bundle at me. Said small, fluffy bundle promptly swarms up my arm and settles herself on the back of my neck.  It would appear that I’m now an Italian cat owner.

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Perfect weekend recipe

Ingredients:

choir members (approx. 30)
paella (5 large pans of)
cameras (at least 2)
herbal tea (including diuretic angelica)
Taboo (1 set)
cakes (large, in varying flavours)
guitar (1 + player).

Method:

First, prepare your choir members. The best way to do this is to organise choir practice on Friday night. Banter loudly over the correct way to breathe from the diaphragm. Sing a few songs. Laugh lots. Make sure that everyone has a car to share to the restaurant on Saturday.

The following evening, ferry your choir members to the restaurant. Once everyone is assembled, seat around tables and serve with tapas, followed by large communal pans of paella. Tell the English girl to stop being so silly when she worries about not having pre-ordered paella, and pile twice as much food onto her plate as everyone else’s. Laugh. Take photos of everyone with seafood hanging out of their mouths and grins on their faces. Take more photos of various unlikely members of the choir (bald, white-haired, bearded etc) draped in Antonella’s long, curly, brunette hair. Laugh until you almost can’t laugh any more.

At this point, leave the restaurant and divide your choir members into groups. Most should now go home until the following day. Keep aside Choir President Gianluca, Domenico, Emmanuel, Antonella, Mirella and Kate. Put these 6 into a Range Rover, making sure that Gianluca is placed in the boot, behind the dog bars. Add CDs of music written and performed by Domenico and Emmanuel. Turn up the volume. Giro. Add more laughter.

Decant remaining 6 choir members from Range Rover to Gianluca’s flat. Water down slightly with herbal tea and honey. Ensure that Domenico receives the angelica, as it will lead to amusing bathroom-related stories on Facebook the next day. Shake in the Taboo set. Don’t worry if at this point Kate becomes speechless with laughter and starts chewing her scarf – this is perfectly normal. Drizzle in some whispered translations by Emmanuel and a generous handful of cheating by Domenico and allow to bubble joyously until the not-so-early hours of the morning.

On Sunday, don’t start too early. 3pm is perfectly adequate. Place Kate into Adele’s car and transport to Giovanni’s summer house to reunite with some of the choir members put aside after the meal the previous evening. You should already have added partners, children and assorted friends to the mix, and seated them around a large table under a vine-covered pergola, as well as feeding them large amounts of food. Leave the cakes on the table, along with wine and rum. Feed the same to Adele and Kate. Add Franco’s guitar. Separate Kate from the rest and coax into singing. Gently draw in all members of the assembled company until there is no-one left at the sides. Feed with more cake. Sprinkle with just enough rain to bring out the scent of the roses in the garden. Leave to settle for a couple of hours.

As a final garnish, add a little Calabrisella Mia and enjoy.

Image by Timbo on flickr.

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Pet sounds

A dog yips in excitement across the road. Its owner shushes it as she pegs out her washing. On another balcony, another dog’s claws clip-clip-clip on tiles. He pokes his nose through the curlicued iron bars, sniffing the air to find out what’s going on below. Clip-clip-clip. Back along to the other end of the balcony. Sniff-sniff. His ears prick up and his body stiffens at some invisible danger. He relaxes. Clip-clip-clip. Back inside. An invisible hand closes the shutters. The owner of the hand murmurs to the dog, who barks once in reply.

Bells ring up on the mountain. Not the chime and tinkle of musical bells, but the rough clang of tin around the necks of animals. Low bleating reveals that it’s goats. The sound moves down the hillside as the herd passes through the olive grove. They can’t be seen from this distance, but there’s a shiver in the trees, indicating their movement. The bleating grows louder as they get closer to home. Occasionally, a herder whistles. The babies in the farm pens start to bleat as they hear their mothers. It’s a relay of sound, nanny to kid, back and forth. Finally the mums break out of the bottom of the olive grove and can be seen, pottering towards home and their kids. Clank clank clank. There’s a herder fore and aft, and ten or so dogs, of all shapes and sizes, plodding, heavy-footed, in the heat. The kids, meanwhile, are bouncing off the walls of their pen. Ping! They leap, four-footed, into the air and onto logs, sheds – whatever is in their path – then off again with joyous abandon. When their mums finally make it to the pen they are beside themselves, bleating fit to burst and springing into the air. The herder closes the gate and the dogs, freed from duty, amble up the hill to find shade and water.

The old man across the road roars. There’s no response. He roars again. This time his daughter comes to him. She murmurs platitudes which change to scolding and then pleas as his roars increase in volume. Papa! Ti prego … Finally she manages to quiet him down.

An accordionist touts for business underneath the balconies. He plays a few jaunty notes, tempting people to peek out of their windows, before putting on his most winning smile and rolling out the sales pitch. Just a few centisimi … it’s not much for such wonderful music, is it?

Swifts zoom and shriek, dive-bombing through the narrow alley between the houses. Then they wheel up into the air, circling towards the sun before swooping down again. They never seem to land anywhere, but spend their time always on the wing. No wonder they scream.

 

Photos by Malingering and Canopic on Flickr

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The origin of the species

lizard on metalDry grass rustles as lizards scuttle away from the heavy-footed human padding along the road. Most of the time you don’t see them, but every so often they break cover and skitter up a wall or across the road. I pass a deserted sanatorium. Who knows when there were last patients in it. Iron girders have fallen down from the ceiling, blocking the entrance, and the glass in the front doors is sharded and shattered. The double arches of the sign, like a blue and white – and rather more healthy – McDonalds, are sun-bleached and battered. The steps leading up to the doors are covered in wild alyssum and the scent of honey in the air is deliciously overpowering. Nature has taken over the asylum.

I hear a car approaching from behind me, and turn automatically to look at it. Everyone stares in Italy, and I’m no exception . Curiosity satisfied, I turn back to face the way I’m going and continue walking. As the car passes me, the driver blares his horn. I’m not on his side of the road, so his only reason for doing so would be to scare the crap out of me.  Which he did. Were I a cartoon character, I would be shaking my fist and shouting, ‘why, you …!’ after him. As I’m not, I settle for muttering English expletives and trying to return my heart rate to normal. Just as I’ve managed to do that, another car approaches, from ahead of me this time. He’s driving fast, and seems to have no intention of giving an inch, despite the fact that there’s nowhere for me to go save under his wheels. At the last moment, close enough that I can see the whites of his eyes, he swerves just far enough across the road to miss me. My coat-tails and hair fly around me, and I’m buffeted by the disturbed air of his passing. Shaken, I gasp for breath. Walking down this road wasn’t the cleverest of ideas, it seems, but there’s no turning back now.

The lizards reappear and the sun beats hot on my back. I gather my wits and carry on walking.

Image by Kate Bailward

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Children of the corn

The road is flanked with bulrushes ten foot high. It reminds me of when I was a child and used to play in the maize fields. We weren’t supposed to do it, but we’d run in, breathless with terror, chasing and shrieking and secretly hoping to get lost forever. Reaching the middle, surrounded only by rustling leaves and unable to see the edges, was both exciting and horrifying. A pause for a minute, to savour the sense of aloneness. Then the giddy, heart-in-mouth dash to escape, wondering if *this* would be the day when you didn’t make it out again. Fear mounting as the rows continued on and on with no sign of running out. Feet in black daps pounding dry earth, faster and faster, leaves whipping your face and stalks scratching bare legs. Breath shortening and a scream building in your throat. Then the mixture of relief and crushing disappointment as you reached the point where the maize changed direction, signalling the edge of the field and return to reality.

Of course, here I am on solid tarmac. I may not be able to see to either side but I know that nothing can go too wrong.

Or so you’d think.

I come across a sign saying that the road is closed further on. Then I round a corner and see concrete bollards. They’re not blocking the road, though, so I drive on past them. The last turning off this road was a good few miles back and I don’t fancy backtracking.  All I can do is hope that the road doesn’t disappear entirely. It doesn’t. (Quite …)

At a bridge over a small river, the sides of the road have collapsed. Rather than repair it, some higher power has lumped earth and small stones onto the edges of the one-time bridge. The carriageway is just wide enough for one car to go through, but you wouldn’t want to mis-steer, as you’d end up in the stream.

A dog lollops out of the reeds, round fluffy face split with a big canine grin. He trots along the road, past the archetypal boys on mopeds, their jeans blindingly white in the sun.

I stop for fuel. It’s Sunday afternoon, so there isn’t a petrol attendant today. I park up and scrabble in the footwell for the petrol cap release. Sitting up again, I am faced with a grinning man signalling for his mates to back their car up. I climb out of the car and watch in amusement as the group attempt to work the pump. Sorry – did you want this? he asks. I shake my head and gesture for him to continue. I still need to pay, so he might as well jump the queue of one. I hear them whispering together, trying to place where I’m from. I ‘fess up. English, but I speak a bit of Italian. They grin triumphantly. Me too! says one of them. I giggle. He amends the statement. Am Italian, ma … speak a little English. They finish filling the car and all leap back inside. Hello! They wave as they leave, puffed up with pride at their bravery.

When I reach the seaside it’s just before the end of lunchtime. The beach is quiet, although there are a few people out and about. A trio of middle-aged and elderly women sit on a bench in the shade, slurping gelato and cackling. A people-carrier pulls up in front of them and the oldest woman creaks to her feet. She shuffles to the car as her daughter (granddaughter?) climbs out and opens the door. Grandma chucks the small child in the front seat under the chin before being hoisted inside. Her cronies on the bench gesture and call their goodbyes as they scoop the last of their ice-cream into their mouths with childish glee.

A girl in a pink swimsuit races onto the beach and up the steps of the dilapidated slide next to me. She launches herself down it and the metal screeches at the unaccustomed touch of hot, bare skin. I wince at the sense memory of losing layers of skin in similar exercises as a child. The girl, however, doesn’t seem worried, dancing off the bottom of the slide to hide behind a handy well. She peeks over the top, eyes glinting with mischief, keeping a good look-out for the other children in her group.

A grandfather sits heavily on the wall bordering the seafront. He is dressed in muted colours and has ill-fitting false teeth, causing his mouth to collapse back in on itself. He is keeping up a constant stream of low-level Italian hectoring, but there’s a twinkle in his eye that suggests it’s none too serious. His tiny granddaughter beams at him, planting herself on the wall next to him and yanking her trainers off. His scolding increases, but she ignores it. There is sand in her shoes and she’s going to get rid of it, indulgent grandfatherly horror or no.

A royal blue Renault Clio has passed by three times now. It’s giro time, and young men are out on the prowl. They slow as they loop around the rubbish bins at the end of the seafront. There’s a shout from one of the middle-aged women next to me. When are you coming to see your poor zia? Neglected, I am! Wednesday? Come! The boys unfold themselves from their car with practised teenage insouciance and cross the road, grinning. Yes, zia. Whatever you say, zia. She bats away their kisses, laughing as she does so.

Images by Rumalowa and Kate Bailward

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Head for the hills

Ten euros. Are you in? I’m too tired to debate whether or not I actually want to go, so just hand over the money and collapse onto the table. Natasha laughs at me. That isn’t his name, but he did such a convincing rendition of a female character called Natasha in class that it’s stuck. I rest my head on my forearms and let the live music wash over me. Chiara’s singing and she’s good. The girls go for a dance while the boys watch. It’s the same old Friday night – comforting in its lack of unusualness.

Saturday morning dawns bright and sunny. I’m still exhausted and not really up for a day in the mountains with a lot of people that I don’t know, but Emma rattles me out of torpor and bullies me into the car. C’mon! Woo! We’re all heading up the mountain to somebody’s weekend house. I’m not sure whose, but it doesn’t matter. Emma and I follow Marco’s car as he heads out of town. I feel my mood begin to lift and we turn the music up. Ten minutes later we’ve stopped in a supermarket car park. I have no idea what’s going on, but it eventually transpires that Carmelo and Beppe are inside getting supplies. The ten euros that I handed over last night are being put towards food and wine. This is a far better way to organise a barbecue than the English way of telling everyone to bring something with them. This way we end up with delicious spicy sausages from the butcher; with little bready balls stuffed with n’duja and olives; with copious bottles of cheap but good wine; with tangy rounds of cheese; with fat, red tomatoes; with steaks. Not forgetting the fresh bread and coffee for after. This is going to be a feast and a half.

Arriving at the house, there already seem to be hundreds of people inside. In fact, there are only about fifteen of us, but a small crowd of Italians can make enough noise for fifty. Sara shrieks with joy to see everyone. She lives in Rome and doesn’t see this group very often. Antonello grins, wild curly hair springing all over the place. Beppe has downed a bottle of wine already and is on to the next one. The girls are a hive of activity in the kitchen, chopping tomatoes and slicing mozzarella, all the while keeping up a flurry of top-volume conversation and refusing offers of help. At first I’m shy, knowing little Italian and even less dialect, but wine soon loosens everyone’s inhibitions. The fire has been lit in the room next to the kitchen, and the sausages are being grilled over it. I don’t think I’ve ever been to an indoor barbecue before, but it works. People drift in and out of the room, shouting out of windows to those smoking outside, pouring more wine as they pass through the kitchen, laughing, joking, enjoying each other’s company. Italians at home are a very different beast from when they’re out in town. Sara, Cristina and Anna appear on different balconies with headscarves wrapped around their heads, pastiching their mothers and grandmothers. It’s time to eat! Why aren’t you ready? Get inside now! Beppe throws a basket of magazines out of the window, laughing uproariously. In retaliation, as he walks under the same window five minutes later, someone (no-one is quite sure who) drops a raw steak onto Beppe’s bald head. It drapes over one eye, a comedy meat wig. No-one can stop laughing. Coffees are poured as people slump on sofas, dozing on each other’s shoulders with smiles on their faces.  The sun is setting, turning the sky vivid, deep orange and purple. Emma takes endless photos of people jumping in the road, playing football. There’s time for one more coffee in the bar before getting into our cars to head back down to town.  Ci vediamo dopo? Sì! Food, wine and friends. A perfect day.

 

Images by globevisions  on Flickr and Kate Bailward

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Bella ciao, ciao, ciao


Middle-aged drunk woman has a party horn. It’s got silver tassles on the end, which she waggles around, watching them catch the light. As she passes the English girls she blows the horn hard and is rewarded with laughter. She tries again, but fails to get more of a reaction, so moves on. There’s a statue of a naked woman at the end of the room, and she heads towards that. There’s a broad smile on her face and a wicked glint in her eye, and it looks as if the statue is going to be the brunt of some mischief. Sure enough, the party horn is placed on the poor girl’s marble hair. This doesn’t cause enough shock in the crowd, however, so drunk woman ups her game. She starts tracing circles around the statue’s non-existent nipples. This garners a hysterical gasp and a storm of giggles from a passing teenager. Drunk woman, in the best clowning traditions, repeats the action: if it makes someone laugh, do it again. And again. And again, but bigger. Hilarious!

It’s International Women’s Day. This is the one day a year when women can escape and go wild down here. And they do. There are a few hundred women in this hotel, and they are all determined to enjoy themselves. The DJ banters over the microphone, egging the crowd on to cheer ever louder. Come on ladies – we’ve got a surprise for you. Let me hear you! Every woman in the room raises her voice as loud as she can – and this being Italy, that’s pretty loud – as Pino, the resident drag queen, shimmies into the room to the strains of Bella, ciao.

Pino pulls some bananas out of a plastic bag with a triumphant flourish. The room dissolves into shrieks of laughter. Who’s the head of this table? Everyone points in different directions. She homes in on the woman who’s trying to shrink herself under the table and look inconspicuous. You. What’s your name? The woman turns beet-red and shakes her head. Pino changes to confidante mode, flutters her eyelashes and wheedles, Come on, darling, what’s your name? Through her blushes and laughter, the woman manages to say Maria. Pino smiles. Do you like bananas, bellamia? It’s a rhetorical question. Maria’s going to eat the banana whether she likes it or not, and she’s going to make it look good. Pino takes her time peeling the banana skin back, keeping a beady eye on the crowd through her enormous false lashes. She makes a suggestive moue and runs her tongue along her top lip before pushing Maria’s head back and shoving the banana into the poor woman’s mouth. Maria is choking with laughter but, thankfully, not on the fruit. OK, let’s have a big hand for Maria! The floor show continues in a similar vein at each table. When she reaches the English girls, the drag queen stops, a small smile playing around her mouth at the sport she can have here. There aren’t going to be any allowances made. The banana act is repeated, as the whole room whoops and cheers. As she is about to strut away, Pino gasps. But, signora … She’s just realised that her chosen victim is pregnant. What happened here? Well, we can *see* what happened – she rolls her eyes – but how far along are you? Only 4 months? With a 6-month-old at home, you say? Well – I see *you* have no need of bananas, signora …! She has the room eating out of the palm of her hand. She sashays back to the front in triumph, waving her highly manicured nails at the DJ, who grins and puts on an Italian song. You all know this one – come on everyone, on your feet!

Later, Pino is sitting on a stripper’s lap, bouncing up and down, wide-eyed and smirking. The stripper looks mortified. Little does he know that his evening is just about to get a whole lot more embarrassing – or entertaining, depending on your point of view. Middle-aged-drunk-woman is powering her way up the aisle, scattering bystanders as she goes. The drag queen’s eyes widen and a flicker of amusement crosses her face before she is pushed out of the way. She tries to protest, but without conviction. This show is just far too funny. Middle-aged drunk woman grins at the stripper, who is looking more terrified by the second. The blood-filled bumps on his chest where he’s waxed too enthusiastically flush scarlet, and he adjusts his sunglasses, as if they can protect him. He puts his hands out in a gesture of supplication, but drunk woman’s having none of it. Batting his protests aside, she plonks her not-inconsiderable weight onto his skinny, waxed lap and starts to wiggle. Pino is in convulsions of laughter, as are the rest of the room. Drunk woman is loving it, and plays to the crowd as she has been doing all evening. She makes a triumphant gesture towards the table of English girls – Who’s having fun now, eh?! Well, actually, I think we all are. Happy Women’s Day, lady.

Images by Franck.barre and Andy Houghton on Flickr

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